WINTER 2021
Red Town
Cengiz Cemaloglu
Misha shifts his weight from one foot to another. He holds his gaze firmly locked, and then sighs. He continues that his mother often recounted how “the camps were a reminder that all people can help each other out. Azeris, Estonians, Russians, Tatars – they were all in the camps alongside us – they shared their food with us, and we shared ours with them.” He says,“they joined Jewish celebrations, and my parents joined theirs.”
Losslessness / An Arrow A Wing
Tom Haviv
I left my / Jewishness / for shame of / a broken story. / I return to these / details to understand / what was lost. / How we lost / our pathway back / through the hills / past an old border. / New borders / of mind / preventing / return.
Babylon of the Tropics
Marcus Mubarack
This series of artworks was influenced by my family’s history, which unfolds between the Ottoman Empire, the Spanish Empire, and the Republic of Brazil. My mother’s side of the family settled in Brazil after fleeing the Spanish Inquisition as marranos – Sephardim who moved through public society as Christians, yet secretly practiced Judaism in the privacy of their homes. My father’s side of the family came from Ottoman Syria in the wake of the Assyrian Genocide, and from Egypt after WWI.
Persian Jewish Liturgy and the Beauty of Forgotten Differences
Alan Niku
Based on the siddur of Saadia Gaon, Persian liturgy developed over hundreds of years into a distinct rite entirely separate from those of Ashkenazi, Sephardic, and Yemenite Jews. Persian Jews generally sat on the floor, removed their shoes in synagogues, and likely regularly engaged in full prostration. But genizah manuscripts reveal fascinating variations in language and Persian Jewish tradition that suggest our forgotten heritage is a unique one among modern Jewish communities.